Resources & references

This chapter details a unique music therapy songwriting program, Hear Our Voices, and the songwriting process of the Little Saints, a group of “at-risk” fourth-, fifth-, and sixth-grade children in Philadelphia, Pennsylvania. The authors, who were also the music therapists working with this group, discuss the relevance of Hip-Hop culture, and its musical framework, to the music therapy process, and to the success of the program. 

This article examines the use of the non-verbal voice in music therapy with children with severe learning disabilities, complex needs and autism. Recent literature on the use of the voice in music therapy is summarised and links are made between the aims of music therapy and those of special educational establishments. Theories regarding the voice and the self, and the important connection between body awareness and emotion as precursors to learning are referred to, particularly in relation to learning disability.

This book chapter provides an overview of research on Adverse Childhood Experiences (ACEs), descriptions of key components of resilience in child development and trauma-informed care, and recommendations for music therapists. 
How can music therapy foster resilience in children who have lived though adverse experiences? How can music therapists provide trauma-informed care to their most vulnerable clients?"mmandations pour les musicothérapeutes. 

This intervention guide is designed for music therapists and recreation and leisure/activity team members who support individuals living in retirement and long-term care (LTC) homes and wish to provide intergenerational music therapy experiences to their residents. The creation of the Jamboree was a collaborative process between the music therapist and the director of recreation at the Village of Riverside Glen LTC home in Guelph, Canada. The team advocates that creating intergenerational opportunities can benefit the health and well-being of both younger and older individuals. 

This study describes an interprofessional intervention program, combining the expertise of an occupational therapist and of a music therapist to systematically teach piano keyboarding to preschool children with impaired vision. We conducted a small, mixed methods non-randomized pilot case study to determine how such a program could be successfully embedded into a preschool setting, to examine if fine motor skills improve post-intervention, and to study the perceived effects on participants and their families.

The Discovering Relationship Using Music, Beliefs, Emotions, Attitudes & Thoughts (DRUMBEAT) program used drumming as a way of engaging at risk youth in a form of musical expression, while simultaneously incorporating themes and discussions relating to healthy relationships with others. The results support the underlying program theory, that combining the therapeutic potential of musical expression with basic cognitive–behavioural therapy can be used successfully to deliver a range of social learning outcomes, including emotional control, improved relationships and increased self-esteem.

In 1997, a music therapy program was first piloted in a community mental health clubhouse and six months later expanded to five community mental health group homes, in British Columbia, Canada. An article published in 2000 described the predominantly song-based approach of that program and documented the participant's evaluation of it, concluding that the client-centred empowerment model of consumer inclusiveness appeared to contribute significantly to the rehabilitative effect of the program. In this article published in 2020, the authors report on the current status of the program, including new data.

An anthology of selected writings and presentations by Carolyn Kenny from 1979 to 2006. This volume includes two books, The Mythic Artery and The Field of Play; articles from journals about Music Therapy and Indigenous Studies, chapters in books on Music Therapy; and previously unpublished papers and case study. This volume clearly reveals, perhaps for the first time, the important interplay between Kenny’s lifelong work in Music Therapy and her parallel work in Indigenous Studies. It also integrates many disciplines that both influence and are influenced by Music Therapy education, practice, and research.

This interdisciplinary book guides the reader through principles, techniques, and exercises for incorporating music into grief counseling, with the end goal of further empowering the grieving person. Music has a unique ability to elicit a whole range of powerful emotional responses in people - even so far as altering or enhancing one's mood - as well as physical reactions. The book uses musical expression to help the bereaved find meaning in loss and hurt, and move forward with their lives. 

 Music therapy has positioned itself squarely within the medical model of disability, arguing that many sorts of human variability should be understood as illnesses, diseases, or other sorts of pathological medical conditions, and offering music as a source of normalization, remediation, and therapy toward a possible cure. But for many human conditions, including autism, cure is neither possible nor desirable. Instead of seeking to normalize autistic people, music therapy might instead acknowledge their distinctive sorts of musical interests and attitudes and offer to enhance their indigenous culture in an atmosphere of mutual respect. Instead of normalization and cure, music therapists might seek enhanced self-expression, knowledge, and pleasure through mutual music-making.

This research paper offers a theoretical perspective of recovery as an integral part of modern mental health services. It presents the views of four music therapy researchers situated in Australia, Ireland, Norway, and the United Kingdom. This article elaborates on the implications of music therapy as a recovery-oriented practice and includes recommendations to maximize support for recovery of mental health patients.

 The central impairments of people with autism spectrum disorder (ASD) affect social interaction and communication. Music therapy uses musical experiences and the relationships that develop through them to enable communication and expression, thus attempting to address some of the core problems of people with ASD. The present version of this review on music therapy for ASD is an update of the original Cochrane review published in 2006. The findings of this updated review provide evidence that music therapy may help children with ASD to improve their skills in social interaction, verbal communication, initiating behaviour, and social-emotional reciprocity. Music therapy may also help to enhance non-verbal communication skills within the therapy context. Furthermore, in secondary outcome areas, music therapy may contribute to increasing social adaptation skills in children with ASD and to promoting the quality of parent-child relationships.